Dusting off the 2013 Resolutions

The end of the year is a time for looking back and contemplating growth and all that good stuff. In this looking back, I realized I actually posted about some resolutions/goals at the beginning of the year. (Way to keep on top of those, Annie.) Okay, so they were more things I was excited about than resolutions, but let’s see how real life panned out:

Then: Getting to know more of my fellow 2014 debut authors through OneFour KidLit. Our blog is now live, so I’ll be sharing thoughts, experiences, and (hopefully) funny videos there as well. Make sure to check it out.
Now: I’ve gotten to know several of the OneFours, and hoping to get to know more, especially now that the blog is about to kick into full 2014 gear.

Then: Attending at least two retreats/conferences.
Now: Check! I went to a few NESCBWI gatherings and flew down to Savannah for the first ever Fourteenery retreat. Overall, lots of writing time and good times with some amazing writers.

Then: Taking real author photos.
Now: Finally did it! Check some samples out at my Facebook page.

Then: Finishing up QotA edits.
Now: The now-renamed TCYWR is fully edited and out in the world in ARC-form! I had a pretty fantastic editorial experience all around.

Then: Going full steam ahead into the next project.
Now: Still working through the next project, but much further along thanks to my lovely critique group.

Then: Going to more concerts (as inspiration for the next project).
Now: Didn’t get to as many as I’d hoped, but maybe I can extend this over to next year.

Then: Reading more and keeping better track of what I read.
Now: Got in some great reading time this year, but also could have torn myself away from the blogs a little more. As for keeping better track of what I read…well, there’s always next year!

Then: Baking more bread.
Now: Tried a couple new recipes. Things got a little funky on the apartment front, but I’m ready to try all sorts of good bread baking in the new kitchen.

Then: Finally putting up the rest of our pictures on the wall instead of stacking frames on the futon.
Now: Well, at least those frames didn’t have to get taken off the wall. Onto new walls!

Then: Going to lots of readings and literary events in the area. (So lucky that so many authors live in/visit Boston.)
Now: Didn’t get to as many as I would have liked, but I went to the Boston Book Festival, got to meet Sarah Dessen and help celebrate the launch of Golden Boy.

Overall a pretty successful year. Here’s to lots more adventures in 2014!

Financial Planning

When I first sold my book to Candlewick, a few people asked me if I would be quitting my job to write full time. My reaction:

Most people I know who are artists–writers, illustrators, actors, musicians, etc.–don’t make a living from their art. Most have day jobs or do temp work or freelance. Recently, I came across a couple of posts that brought this issue to mind.

The first is more from a theatrical perspective, but I think it holds true for writers of any genre. Long talks about how a successful society values its artists and, although I’m not sure that we can recreate the Renaissance, it’s good to remember that people like Michaelanglo weren’t “dangling from the ceiling of the Sistine Chapel ‘for the experience.'” Artists, just like anyone, need to eat and have a roof over their heads and maybe wear a sweater when it’s cold out. As much as society loves the image of a tortured, starving artist, I think most of us do our best work when we’re not stressing about if we can afford to go to the doctor.

Similarly, the second article looks at the financial realities for writers and how we talk about these financial realities. Bauer says that we can’t pretend that having a financial safety net (like a successful spouse or family fortune) doesn’t matter for artists, and that it’s detrimental to pretend that all it takes to survive as a writer is a little gumption and selling a magazine article every so often.

I remember talking with a couple of fellow kidlit authors recently, and this exact issue came up–if your only job is writing, you’re either a) wildly successful or b) in a position where you don’t have to worry about where your health benefits are coming from. That’s not to say that this is bad or somehow makes you less of a writer. If your family can do it, that’s fantastic. But we need to acknowledge that this is the reality for writers, and maybe consider what that means for writers and artists who don’t have that kind of safety net.

Last year, Laurie Halse Anderson (a hugely talented YA author and, in my opinion, one of the leaders in the field) had a great post about money and writing. It was a major relief to see that, even after publications and awards, didn’t quit her day job to write full time for years. I like seeing writers be honest about this kind of thing. It’s a hard job and most people don’t get rich from it. (And if you do, more power to you.) The reality of being a writer is far removed from the idea most people have of being a writer.

Right now, I’m really lucky to have a job that is generally fulfilling, enjoyable, and lets me go to the dentist every so often. I also have a very supportive husband and family. If I ever get to be a full time writer, that would be fantastic. But for now I know that I’m a lot better off than many extremely talented writers.

I don’t have any answers for how we can reallocate more money to the arts or how we can help writers who are struggling to make ends meet. But I think the more honest we are about these issues, the better. In the meantime, more power to all of you who keep writing, no matter what your financial realities are.

The Twelve Days of Writer’s Christmas

Things I love: gifs and song parodies. How could I resist putting together a writer-themed version of the classic Christmas carol, with corresponding gifs?

On the twelfth day of Christmas, my writing gave to me:

Twelve cups of coffee

Eleven ARCs from authors
Ten writing playlists
Nine cover reveals

Eight swoony kiss scenes
Seven funny retweets
Six pairs of sweatpants

Five critique partners

Four messy first drafts

Three plot hole fixes

Two days ’till deadline

And a retreat with awesome writer friends

Happy holidays, everyone!

Land of 1000 Blog Posts–and a New Facebook Page!

Sometimes I hear writers talk about blogging (and social media in general) like it’s a big chore, and how overwhelming it is, and how it’s a giant time suck. I feel really fortunate in that I genuinely enjoy blogging. I look at it as a fun and easy way to share cool things I find online with lots of people who may find them cool, too. And apparently I’ve come across a lot of cool things to share, because this is my 1000th post. Thank you to all my followers and readers for helping me get to this point. I know at least some of you aren’t spam-bots, and I’ve really appreciated your likes and comments. You guys are the best!

To celebrate reaching 1000 posts, I’m launching my brand-new author Facebook page. Because one good social media turn deserves another! Follow along for more fun links, photos, live Q&As, and (hopefully) hilarity. Right now I have up a few new author photos–that’s right, I am a human being and not just one profile picture!

Thanks again to my wonderful readers and followers. You keep me going, and I’m psyched to share another 1000 posts with you.

Me This Week

And of course it’s totally the wrong time to be sick. So apologies in advance for the probable blog silence this week.

Seriously, how am I not taking part in NaNoWriMo and still feel exhausted?

Marry a Writer

Two years ago, I was doing this:

Since then, we’ve gone on adventures, shared jokes and hilarious cat videos, and cooked lots of tasty meals. We’re both writers, so these two years have also included evenings in separate rooms, typing away. Sometimes people ask what it’s like to be married to another writer, and so far it’s working out pretty well for us. Here are my reasons why you should marry* a writer:

  • Marry a writer because he knows that sometimes you need to go into the other room/a coffee shop/the library and not talk for a while, and that doesn’t mean you’re ignoring him.
  • Marry a writer because she loves books and moving in together will mean expanding your home library. (Note: this means you need more bookshelves than you’ll think you need.)
  • Marry a writer because he understands the anxiety of submitting work and the disappointment of receiving rejection letters.
  • Marry a writer because she’ll brainstorm and talk seriously about your characters and plots with you.
  • Marry a writer because he understands it’s a real job. Even if you need an additional day job to help pay for things like rent and food.
  • Marry a writer because she won’t get weirded out by Google searches like “how long does it take for a body to decompose?” and “arsenic poisoning symptoms.”
  • Marry a writer because he’ll join you at readings and book signings.
  • Marry a writer because she’ll put you in her book acknowledgments.
  • Marry a writer because he’ll spend hours with you at a bookstore and not ask “can we go now?” every ten minutes or side-eye that pile of books you’re going to buy.
  • Marry a writer because she knows that sometimes revising takes priority over vacuuming or making something other than cereal for dinner.
  • Marry a writer because he won’t get offended if you have to squeeze in some writing time during holidays.
  • Marry a writer because she can remind you that, even when the writing is hard, you need to keep going because you’re a writer.
  • Marry a writer because you’ll get to read/hear his work and feel so proud that the person you love makes amazing art.

But most importantly, you should marry someone who supports you and your writing. Who knows that this is your passion and your work, and loves that this is a major part of who you are. I know lots of people think pain and suffering makes good art, but I’m inclined to think that love and support are at the top of the list.

*And my “marry” I mean “share your heart with.” Forget traditional gender roles and structures.

Loving Writing When It’s Hard

The last few weeks have been stressful and busy, and the next few weeks are going to be much the same. Which means I feel like:

Even things I enjoy, like writing, feel like a chore:

I recently came across this quote from Susan Orlean on writing, which seems particularly helpful when I’m stressed and when the writing is hard:

“You have to simply love writing, and you have to remind yourself often that you love it.”

It’s easy to love writing when the words are flowing and you have the time to focus on your craft. But sometimes you have to remind yourself that you love it and that it’s worth it, even if you only get a few words down at a time.

So if you’re having a rough time and feel like the words aren’t flowing, try to remind yourself that you love writing, even when it’s hard and you feel like you can’t get anything on paper. Loving writing when it’s hard is when you’re at your most writerly.

You Always Know You’re a Writer

At Limebird Writers, Kate has a great post about when you know you’re a writer and if that affects your writerly journey. She makes the point that, for some, it’s not something you decide to do and can really plan a career for. I especially like:

“Sometimes, writers don’t even decide to be writers. Rather, we accidentally fall in love with storybuilding. Forget planning futures and budgets and retirement. We are so rip-roaring drunk on words that we can’t tear ourselves away long enough to think logically, rationally.

For those of us who are writers long before we recognized the symptoms, how could we possibly prepare ourselves in advance? No wonder I didn’t have a mentor. No wonder I didn’t keep my early stories. Should I really be surprised? I didn’t know what I was! I didn’t know I was already on my quest.”

Like Kate, I didn’t know I was a writer just because I liked making up stories. I thought everyone liked making up stories! Of course I filled marble notebooks with characters and the first page or two of stories that were blatant knock-offs of whatever you were reading at the time–that’s what everyone did in their spare time, right? Eventually I realized that writing (or reading) wasn’t something everyone did for fun and found that it was something people got to do as a career. What could be cooler than that?

And even though I studied English literature and creative writing, that doesn’t mean you need to do the same to be a writer. Like Kate says in her post, there aren’t specific guidelines or paths for writers in the same way there are for doctors or lawyers. Being a writer means a million different things to a million different people. But for most of us, part of it means that need to share stories that you’ve always felt.

Make sure to check out the full post.

Same Annie, New Look

This weekend I finally got around to updating my site, and I’m really digging it so far. A few changes:

  • An updated About section, including links to interviews and more general info about me. (Do I like nail polish? Secrets revealed!)
  • A Books page, aka your one stop-shop for info on The Chance You Won’t Return.
  • The Blog is its own page now, which I think makes things a little cleaner.

Hope you enjoy all the new content! Let me know if things look weird or if links aren’t working. And don’t worry–even though the site has a shiny new look, you can still expect all the same fun bookish content you know and (hopefully) enjoy.

Memory and Story

On McSweeney’s, a touching piece by John Hodgman, delivered at a literary reading shortly after September 11, 2001. Definitely read the whole piece, but one part that particularly struck me:

“So if art cannot contain or describe this event, and if for now the suffering is too keen to be alleviated by parable… if stories are for the moment not as critically needed, as courage, as medicine, as blood, as bacon, they can at least revert to this social function. As time goes on, this will all pass away into memory, into a story with a beginning and a middle and finally an end. And that transition from the real into fable will bring its own kind of comfort and pain.”

It’s been twelve years since that day, and I like this idea of the transition to stories being needed. It’s hard to comprehend tragedy, especially in the moment, but as we move further and further away from the event itself, stories become more relevant. Memories become story and stay with us and transcend the individual. That means dealing with both the good and the bad, or “comfort and pain,” both of which are needed through the passing years.

Also, School Library Journal suggests resources for 9/11.