Wishing and Hoping

When I was in grad school, one of my professors encouraged our class to submit our work to journals, agents, editors, etc. “You live differently when you have work out there,” she said. I’ve found this to be surprisingly true. Over at Kiss and Tell, Sheri Adkins has a post about a very similar feeling: the waiting while your work is out there. Such as waiting for that special call from an agent or editor:

Still, every time the phone rang I had the pleasure of wishing for it to be “the call”. For the few seconds it would take to get to the phone I would often send up a little prayer or get a little thrill that this could be it—my big break!

I totally felt this! There have been times when I’d see an unfamiliar number on my cell phone and think “Maybe this is it!” And of course it would be my dentist confirming my appointment for the next day, or the CVS automatic refill reminder. But there’s something exciting about that, too: any moment could be the moment your life changes. As Sheri says:

Still, the wish for that possibility keeps us going, don’t you think? It’s the courage to go after our dreams and most cherished wish that defines who we are.”

When you submit your work to an agent/editor/journal, it means the potential for rejection, which is hard. But it also means that you are a writer. You are living the writer’s life. And you never know when your work is going to land on the right agent’s desk. There are a lot of people who say they’d like to be writers, but they keep their work to themselves. That’s fine, but they’re missing out on the possibility that someone will love their work.

So submit your work. Send out those queries. You’re living a different life when you do.

(via NESCBWI Kidlit Reblogger)

Just When You Thought Bridge to Terabithia Couldn’t Make You Cry More

Since we have a new National Ambassador for Young People’s Literature, that means Katherine Paterson has stepped down. But her article on her experience as ambassador is just lovely. Just to get you started:

“Bridge to Terabithia saved my life.” The speaker was Trent Ready, a 6’7″ veteran of the war in Afghanistan. The 400 or so middle schoolers in the audience were staring up at the stage transfixed as he told them that reading a children’s book in the desert, during a time when he thought any day might be his last, had made it possible for him to keep going–to find beauty in the midst of the ugliness of war. “I just want you guys to realize how important reading is. How a book can save your life.”

Standing on the stage next to Trent as he made this plea for the vital importance of reading, I was as moved as the audience by his words. I’d been travelling as the National Ambassador for Young People’s Literature urging young and old to “Read for your life” and here was Trent delivering my message more eloquently than I possibly could have to this auditorium full of children. It was a culminating experience of two memorable years as Ambassador.

My heart! The tears! The rest of the article is fantastic as well. Congratulations Katherine, and onto another great year of children’s literature ambassadorship!

(via The National Children’s Book and Literacy Alliance)

Got It Covered

Is there a less apt proverb than “don’t judge a book by its cover?” I love judging covers! And LibriCritic has rounded up some of this year’s best covers in both mainstream adult and young adult. Lots of great choices in both categories. A couple of others I would add (based solely on cover design):

The Pale King by David Foster Wallace

Winter Town by Stephen Emond

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making by Catherynne M. Valente

Dash & Lily’s Book of Dares by Rachel Cohn and David Levithan

It’s fun to play “judge the cover,” but design is also really important to a book. I didn’t dig The Hunger Games cover design at first and it languished on my shelf for a couple months before I picked it up (and was instantly hooked). More credit to cover designers, I say. It’s a hard job!

What are your favorite 2011 covers?