It’s a Book, and Other Ways to Look at the Genre Question

Jaclyn Moriarty wrote one of my favorite YA novels, Feeling Sorry for Celia. I read it when I was in high school and loved the honest look at how friendships change, paired with a hilarious and sharp voice.

Now she has a new book coming out and, during the writing and publishing process, grappled with the category. She’d initially envisioned it as a children’s book. When that wasn’t working, she wrote it as a YA novel. But her publishers read it and thought it might actually be a better fit in the adult section. Moriarty was worried that it wouldn’t end up appealing to adult readers and wouldn’t be available to teen readers. I like her publishers’ response:

“In the end my publishers said: Why does it have to be one thing or another? An adult book, a teen book, a cross-over book?’

‘It’s a book,’ they said. ‘We’ll publish it as a book.’”

Although I’m a huge supporter of YA as a genre and connecting teen readers with books that will resonate with their life experiences, I really like the simplicity of “It’s a book.” While it would be great to think that all readers approach books with an open mind, it’s easy to set up barriers for yourself. When Walt suggested we watch Battlestar Galactica, I balked. “I don’t like sci-fi,” I said. Except I ended up loving BSG and Doctor Who and lots of other sci-fi programs. I think a lot of people have the same reaction to YA and end up missing out on a lot of fantastic books.

But even with the support of her publisher, Moriarty still had to deal with the question of why she was writing outside of her genre. I’ve talked about this kind of thing with other YA writers, and the idea that you can only write stories as a YA author/fantasy writer/romance novelist is tough. Lots of times your ideas flow into the same category, but that’s not always the case. (Look at Lois Lowry’s bibliography to get a sense of what range an author can have.) There’s a lot of pressure to establish your voice/brand as an author, which largely means writing similar kinds of books. But are we limiting authors and readers by focusing so much on which category a book should fit into?

With more adult readers branching into YA, hopefully this won’t be too much of an issue in years to come. For now, I hope we can all encourage each other to look at books of all categories and genres as just that–books.

Make sure to check out the whole article about Moriarty’s latest book and the question of genre.

Song Books

I’ve mentioned before that I like creating playlists for my writing projects, but I never thought of making playlists for beloved books. Fortunately, Tapes on Books is on the case. What a cool way to delve deeper into classic novels and discover new music.

One suggestion from their take on Lord of the Files is (I’m) Stranded by the Saints:

http://youtu.be/eFvhd–qDDU

The boys might have fared a little better if they’d had some tunes and rocked out.

(H/T Doubleday)

A Little Tea If You Please

Kind of love these descriptions from the Jane Austen Tea Series. For example, Mr. Knightley’s Reserve:

“An Earl Grey that is true and balanced. The Bergamot is smooth and steady. A tea to depend on and love more with each passing cup!”

I might be the target audience for this tea, but their marketing is just so fun.

In case you’re even more in the target audience, check out this article on the Jane Austen Society of North America’s recent gathering in New York. These people know their literature and can put together a historically accurate costume. Rock on.

Lois Lowry on Reading as a Child

From this interview with Lois Lowry:

“Early on I came to realize something, and it came from the mail I received from kids. That is, kids at that pivotal age, 12, 13 or 14, they’re still deeply affected by what they read, some are changed by what they read, books can change the way they feel about the world in general. I don’t think that’s true of adults as much. I’m an adult, I read, I’m no longer going to be changed by it. I think writing for kids is profoundly important.”

This is one aspect of writing for children and young adults I find particularly exciting. When you love a book at that age, that book belongs to you in such a deep, personal way that stays with you for your entire life. I know that Lowry’s books, particularly The Giver, changed me as a reader and I will forever consider The Giver one of my favorite books.

That isn’t to say that you can’t feel passionately about adult books, but it’s a totally different reading experience. But as Lowry says, you’re much more likely to have your worldview already formed as an adult reader. Maybe you’ll feel affected by a particular book, but it’s not the same kind of life-altering reading you get as a child.

Make sure to read the rest of the article for more good thoughts about children’s literature from a master author.

Friday Fifteen

Another Friday, another case of the Friday Fifteens. Check out this week’s fifteen-word book reviews:

1. Hair: A Book of Braiding and Styles by Anne Johnson
One reason I wear my hair short now. (One day, braided crown, one day).

2. Insurgent by Veronica Roth
Not as fast-paced as Divergent, but pretty sure I’ll pick up the next book.

3. In the Devil’s Snare: The Salem Witchcraft Crisis of 1692 by Mary Beth Norton
Norton looks at the First and Second Indian Wars’ effect on Salem. Interesting take.

4. Little Miss Stoneybrook…and Dawn (The Baby-sitters Club #15) by Ann M. Martin
Toddlers and tiaras, plus the BSC.

5. The Art of Fiction: Notes on Craft for Young Writers by John Gardner
You need to read this in workshop at least once. Solid advice, not very dynamic.

Friday Fifteen

It’s finally Friday, which means it’s time for the Friday Fifteen. Here are this week’s fifteen-word reviews:

Down Among the Women by Fay Weldon
Pretty sure I wrote a paper about this but can’t remember any details now.

The Dreamer’s Dictionary by Stearn Robinson and Tom Corbett
Had a few of these in my astrology phase. This one seemed pretty solid.

Super Sleepover Guide by Susan Saunders
Sleepover party themes include “makeover” and “Olympics.” Mine were usually “Dream Phone” themed.

Speak the Speech!: Shakespeare’s Monologues Illuminated by Rhona Silverbush and Sami Plotkin
I don’t think this was ever going to help my one-and-only Shakespeare audition go better.

The Essential Baker: The Comprehensive Guide to Baking with Chocolate, Fruit, Nuts, Spices, and Other Ingredients by Carole Bloom
Probably my favorite cookbook. Organized well, with delicious recipes. Double fig tart, anyone?

Friday Fifteen

Another Friday, another Friday Fifteen! Check out the latest in fifteen-word book reviews.

1. Another Bullshit Night in Suck City by Nick Flynn
Memoir about family and homelessness in Massachusetts. Don’t remember many details, but the vibe sticks.

2. American Girls Cookbook: A Peek at Dining in the Past With Meals You Can Cook Today by American Girl Library, Jeanne Thieme
Never made anything, but loved reading the recipes and history. Might try Kirsten’s bread someday.

3. Pat the Bunny by Dorothy Kunhardt
The cutest form of peer pressure.

4. The Incredible Clay Book by Sherri Haab and Laura Torres
I made so many clay peapods with this.

5. Sailing Alone Around the Room: New and Selected Poems by Billy Collins
I don’t care if it’s not pushing boundaries; Billy Collins has some lovely poems.

Friday Fifteen

You’ve been waiting for it all week and now it’s here–the Friday Fifteen! Here are this week’s fifteen-word reviews:

1. The Truth About Sixth Grade by Colleen O’Shaughnessy McKenna
Nice take on shifting friendships in middle school. Apparently it’s part of a series.

2. In My Kitchen: 100 Recipes and Discoveries for Passionate Cooks by Ted Allen
I want to make every single recipe in here. The duck, guys; the duck!

3. Reading Like a Writer by Francine Prose
Thoughtful look at how literary analysis makes us stronger writers. In short: read!

4. The Great Gatsby by F. Scott Fitzgerald
Enjoyed in high school, admired in college. Saw Gatz and thought “Damn, that’s good writing.”

5. A Sister for Sam by Evelyn Mason
I don’t care what you think, Sam. Little sisters are awesome! (Guess what I am.)