I’m on a Reblogging Spree

From Hank Green, a musical video about how great/crazy Tumblr is:

So…I still want to say it “gif” with a hard g. As in “reblog.”

At the January SCBWI conference, lots of people asked what Tumblr was and if they needed to be on there for their writerly platform. I don’t think you need to use any social media platform you don’t feel comfortable using, but I will argue that Tumblr is filled with Doctor Who and kittens and coffee and pretty pictures–aka, it’s a good time.

Feel free to scope out my Tumblr too!

Listen All Y’all, It’s a Sabotage

From this list of 5 ways your brain sabotages your writing:

Your brain says: “Watching that video of a baby otter eating a medley of seafood with his little paws is a great use of your time.”
The reality: Your brain favors immediate rewards over long-term ones, so it tries to trick you.

My brain is totally on this one. Especially when the time wasted on funny videos and links can masquerade as developing my social media platform. One solution to this problem:

“Fool your brain by providing short-term rewards for completing parts of your long-term goals. Finish a chapter of your novel? Go eat frogurt, head to the pub, or do bath salts…whatever is rewarding for you.”

The hard part is not allowing yourself that reward until you’re actually done. Make sure to check out the whole list so you can figure out how to outwit your crafty brain.

And seriously guys, you need to check out that otter. So cute!

The Secret Life of Publishers

Movie pet peeve #312: how children’s publishers are depicted in movies. Whenever I watch Elf or You’ve Got Mail, I turn to the person next to me and say “That’s not how children’s book editors act.” (I’m a lot of fun to watch movies with.) Sure, maybe that’s how some editors act, but certainly not all or most of them. Most people who work in children’s or YA publishing are people who love these books.

So I was happy to see this video about Random House’s staff, in which they talk about what they do on a daily basis and what they love about their work. Like every industry, there are frustrating days and disillusioning moments, but I think for the most part, people in the children’s publishing world feel this kind of dedication and enthusiasm.

I’ve had the opportunity to interact with editors in a few different settings–at conferences, during work or internships, as a writer–and I’ve never felt like they didn’t care about the books they published.

Hollywood, please take note.