Taking Note

One of my writerly goals is to keep a notebook with me on a regular basis. A lot of times I end up leaving it at home and thinking “I need to write down this later!” and forgetting. Fortunately, Gems has a roundup of notebooks that are too pretty to leave at home. A couple of my favorites:

narwhal bee land notebook by beethings

notebooks by craftyFOLK

I tend to think of notebooks as a fairly personal choice. It’s got to have the right feel and look. Some people only go for legal pads or the composition books. Others swear by Moleskines. I tend to like something with a little personality, and I like to change it up so that my next notebook doesn’t look identical to my last.

Do you have any notebook requirements?

The Art of Imaginary Friends

My friend Ron alerted me to an awesome upcoming exhibition at the William Baczek Fine Arts gallery. From May 2-June 2 they’ll be featuring Travis Louie and his series, The Secret Pet Society. An example is Julia & Her Swamp Friend, 2012, acrylic on board, 20 x 16″:

What dreamy, eerie, cool art. From the description for this piece: “Julia discovered him while she was collecting red-spotted salamanders in the swamp behind her parent’s farm house. She mistook the crown of branch-shaped tendrils on its head as a thicket of dead birch trees. The creature turned out to be quite harmless.”

Need to make a road trip to check out this exhibit.

(image: Travis Louie)

Be the Cool Kid at the Coffee Shop: Make Your Own Notebook

I’m pretty picky about my writing notebooks. In Writing Down the Bones, Natalie Goldberg advocates for cheap, drugstore notebooks to alleviate the pressure of having to write something grand, but I like having a little big of style in my notebooks. If you want to jazz up a plain notebook, A Beautiful Mess has a create tutorial for making a lace patterned notebook.

Wouldn’t that be a cool notebook to pull out of your bag at a coffee shop? I’m already feeling the writerly inspiration.

(image: Elise Larson/A Beautiful Mess)

Cover It Up

Love this post at the Hub about why YA novels deserve better book covers. Unlike much of adult fiction, there are a lot of strange model shots–pictures of girls that crop off their heads, pictures of just girls’ faces, lots of bright colors and big fonts. That doesn’t mean these kinds of covers can’t match a particular story or style. But much of the time, they don’t fully reflect the depth of the story inside. And perhaps even more than adult readers, teens can appreciate a cool design aesthetic. (Check out the stuff that’s posted on Tumblr.) Just because YA readers are younger doesn’t mean they don’t appreciate awesome cover art.

Capillya Uptergrove looks at some covers that work well, such as Winter Town by Steve Emond, which keeps things spare and lovely, or Insurgent by Veronica Roth, which can appeal to readers of any gender. A few other recent covers I’ve lived are The Fault in Our Stars by John Green, How to Save a Life by Sara Zarr, Why We Broke Up by Daniel Handler, and Where Things Come Back by John Corey Whaley. These tend toward the more minimal, which is my taste, but I think they’re good examples of how to design a cover without relying on a model shot.

Just like YA content has been expanding over the last few decades, I think we’re going to see more covers that push boundaries over the next several years. Again, teens are already very design-savvy. Why shouldn’t YA get more covers that reflect that?