Links Galore

Lots of good links to take you into the weekend:

I Have Cool Writer Friends

Since finishing grad school, I’ve been part of a writing group with some similarly literary-loving friends. One of these friends submitted his novelWhat Ends, to the Amazon.com Breakthrough Novel Award, and now he’s a quarter finalist. Way to go, Andrew!

You can download a copy of his first chapter here. I’ve read the first chapter in writing group, so I can vouch for its awesomeness. In very short, it’s about the personal struggles of a family living on a dying island off the coast of Scotland. Between last year’s The Scorpio Races and this year’s Brave, who wouldn’t love a little Scottish island literature?

Best of the Best Reading Challenge

It’s easy to get stuck in a rut, even if you really enjoy a particular activity. Goals and personal challenges can help broaden your experiences and introduce you to new, exciting work. I’ve been in a bit of a reading rut recently (mostly out of laziness) so I think YALSA’s 2012 Best of the Best Challenge might be perfect for my spring reading. The details (in short):

“The 2012 Best of the Best Reading Challenge will begin at 12:01AM EST on Sunday, April 1. Once the challenge starts, you’ll have three months (until 11:59pm on Saturday, June 30) to read as many of the 80 titles counted among YALSA’s 2012 Best of the Best as you can….The Best of the Best are the winners and honor books for the Alex, Edwards, Morris, Nonfiction, Odyssey, and Printz Awards as well as the Top Ten Amazing Audiobooks, Best Fiction for Young Adults, Great Graphic Novels, Popular Paperbacks, and Quick Picks.”

If you read at least 25 titles, you will have “completed” the challenge and can submit a reader response about your fav/least fav/middle fav title to be published on the Hub. Reading also earns you blog badges, including a super exclusive badge for reading 80.

Obviously there are lots of great titles to choose from, and several are books I might not pick up otherwise. (I’m looking at you, nonfiction.)

Check out the Hub post for more info on taking part in the challenge.

Forever Austen

If you’re a fan of Shannon Hale, you probably know that Midnight in Austenland, her follow-up to adult novel Austenland, was recently released. Over at figment, Hale talks about what Jane Austen meant to her at various points in her life. On different readings, Pride and Prejudice could be a love story, social commentary, or a comic novel. Hale says:

“Many people ask me, why do you think Jane Austen is so enduring? Simple answer: she writes books people want to reread. Books mean different things to different people at different times.”

I entirely agree. A lot of people dismiss Austen as old-fashioned chick lit, but her writing is sharp and funny and she understands very grounded social concerns. Going to a ball isn’t just a fun night out; it means the possibility of meeting someone halfway decent so you’re not left homeless at age twenty. She writes about real family drama and social power struggles. I’d wager that more people can relate to that than they can to the subjects of many other classic novels. And I think this is another reason that Austen can appeal so much to the YA audience.

Make sure to check out Hale’s full post. And if you want more, she and other YA authors–Elizabeth Eulberg and E. Lockhart–are talking about Jane Austen’s continued popularity on Monday, February 13. How cool is that?

Links Galore

A few more links to start your week off right:

Historical Background, or How Often Do You Notice the Toaster?

Over at Six Boxes of Books, Roger Sutton talks about the Scott O’Dell Award and what makes good historical fiction. From the interview:

What is something that you see over and over again in the books you read, a common mistake that authors make [in writing historical fiction]?
RS: The thing that always bothers me the most, both judging this award and reviewing books, is undigested historical information thrown into a story. There was this great article in School Library Journal by Joan Blos called “Bunches of Hessians” where she talks about the various mistakes that are made in historical fiction. She said to take something from a historical novel–for example, a mother making dinner–and translate it into contemporary fiction. And then she wrote this hilarious passage about “Mother stood in front of the white box and carefully adjusted the black dial.” It has to be natural to the person telling the story. They shouldn’t be noticing things that only an outsider would be paying attention to. That always pulls me right out of the story.

This seems so obvious when Roger says it, but I think it’s a very common problem when trying to write historical fiction–or any kind of world that’s not our own. I know I’ve run into this issue of how much to describe and when. You want to develop the setting, but you don’t want to throw details in just to sound “authentic,” which actually makes you sound less authentic.

Make sure to check out the rest of the interview, too.

ALA Monday

In case you weren’t at the ALA Midwinter meeting or listening in on the livestream, check out the winners/honorees for this year’s ALA awards. Lots of great choices, some surprises. I wasn’t really pulling for any particular book or author, so overall I’m pleased with the results.

I was excited to see Susan Cooper win the Margaret A. Edwards Award for lifetime achievement in writing for young adults. Under the Mesquite by Guadalupe Garcia McCall, winner of the Belpré Author Award, sounds fantastic too.

What are your initial reactions to this morning’s award list?

 

Printz Stats

While we’re gearing up for this year’s Printz Award, the Hub takes a look back on previous winners. Emily Calkins has put together some great stats like: authors by gender (pretty even split), debut winners (25%–more than I’d expected), and genre (mostly contemporary–heck yeah!).

One thing I was surprised to see: so far, no Printz winning novel has featured a LGBTQ protagonist. There’s been other diversity in protagonists, which is great, but I feel like this is one aspect of YA lit that could get a little more recognition. Or maybe it’s indicative of the percentage of LGBTQ narrators in the general in general–maybe we just need more of these narrators for teens. (Of course, I’d also like to see an LGBTQ narrator whose story isn’t necessarily defined by his/her sexual identity. We need those stories, too.)

Click through to check out all the Printz stats. What are you most/least surprised about?