What a beautiful animated interpretation of “The Me Bird” by Pablo Neruda:
I like that it’s a true inspiration piece, not a video with the poem appearing as text or read aloud. A great reminder, just before National Poetry Month, that poems can inspire all sorts of works of art.
Happy Valentine’s Day, everybody! I know it’s not a happy holiday for everyone, but I think it should be. Valentine’s Day is a chance to share all kinds of love–love for your friends, love for your family, love for your partner, etc. And you can do things your own way. Bake cookies, play board games, put on music and dance like crazy, go to a basketball game, curl up with a favorite collection of short stories–whatever you and your favorites like to do.
At writing group last weekend, my critique partners mentioned they liked my latest project but were wondering where it was going, exactly. “Me too!” I said (in more or less words). I know a lot of writers who like to outline everything and map out exactly where their characters are going, but that doesn’t really work for me. I’m more of a “write-by-the-seat-of-my-pants” kind of writer–I have a vague idea of where I’m going, but I don’t have a strict outline and write toward where the characters feel like they should be going. Which sometimes makes it difficult to create a real plot.
Make sure to click through for the rest. I especially like Yolen’s comment at the end: ““There are two kinds of writers—the ones who figure out a plot ahead of time before writing, and the ones who set their characters in motion and then run after them saying, “Hey. . .wait for me.”” The latter is definitely more like me. And it might take a little while to figure out exactly what’s going on and how it should all come together, but there’s something exciting about chasing after your characters and learning about what’s important to them.
Artist Julia Callon’s Houses of Fiction project is freaking awesome. She’s designed dioramas inspired by famous female characters in classic literature. Each diorama has two images–one representing the “passive, subservient woman” and the other representing the “madness”–in order to reflect the conflicting ideas of womanhood in these novels. I especially like her take on The Yellow Wallpaper: